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The Treehouse of Memory & Regret

by jimeddy

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1.
Thanks for joining me up in the treehouse, it’s nice to have the company. Boy, that wind is whipping tonight….let me get the window…that’s better. You know, not all memories are experienced as regret, but let’s face it — a fair number of them are. Sometimes even fond memories are recollected through a haze of melancholia, with the residual regret being our confidence that those pleasant things might not be occurring again, in our present or future, due to changes in how life can now be lived. Our poetic and musical heroes can still inspire us, long after they have left the ranks of the living, and we lament their passing…while at the same time we rejoice in the art they left to us, the art that moved us so. The Portuguese have a fascinating word, that is pronounced, in European Portuguese, as “Saudade.”. There is no counterpart for this word in English — or in most languages for that matter — but “saudade” is meant to suggest a melancholic nostalgia for something that perhaps has not even happened. It carries an implied assurance that this thing one feels nostalgic for will never occur again. The Portuguese writer Manuel de Melo thought about saudade as "a pleasure you suffer, an ailment you enjoy.” The fado music indigenous to Portugal is suffused with notions of saudade, and one can easily get lost in it emotionally. As we start to honestly face our current climate crisis, another term entered the ecological discourse in about 2004, created by the Australian social scientist Glenn Albrecht — “Solastalgia.” Solastalgia is best described as the lived experience of negatively perceived environmental change. Albrecht himself thinks of it as "the homesickness you have when you are still at home" — while your home environment is changing in ways that are distressing and disorienting. Solastalgia differs from the nostalgic distress that can come from simply being absent from home — instead it refers to the distress specifically caused by environmental change while you are still in your home environment — one that is becoming less recognizable all the time. So this time around I climbed up the rope ladder to this treehouse, carrying with me memories, regrets, lamentations, tributes, saudade, and solastalgia — but it all fit nicely inside my head. I also chose not to pull the rope up behind me — I’m glad that you decided to climb on up too.
2.
They say time wounds all heels….so maybe I got what I deserved At least that’s how it feels….a sentence, fully served. A faithless love my calling card….no heart I would not shatter Each lover had to be on guard….that’s the fact of the matter St. Valentine he struck me from his list It’s fitting, I can’t even shake a fist From his grace I’ve been fully dismissed If love’s a grind, then my heart is the grist Love is strange, and strange is love…so Mickey & Sylvia sang A gift sent from above, but then shot down with a bang I’m the man who fired that gun, a weapon that I concealed I could never be “the one,” my faithlessness revealed. To have loved and lost is still to lose, my friend It’s now a rut, where once it was a trend My vow was never one on to depend How I got here I still can’t comprehend When you read the note I never wrote on Valentine’s Day this year Correct the spelling, there’s no telling…. about a heart’s veneer.
3.
A frozen tundra sounds harsh….but the thawed tundra is harsher A glacier’s crust is hard….but a melting glacier’s harder The bitter cold is sad….but the warming winter’s sadder The midnight sun might drive you mad….but extinctions should make you madder Chorus: Brother, sister….where did the ice go? We don’t see why it matters, from our speck on the earth Brother, sister….where did the ice go? We won’t know until it’s gone what it was all worth Pretending this is no big deal — makes us a great pretender The rising heat makes mockery of our toil for the legal tender Religious doctrine urged us all to go on this blind bender The earth we leave our children comes back marked “return to sender” (Chorus) (Bridge) Bridge: We roll, roll, roll, rolled the dice….and now in hindsight we think twice Creating jobs a poor excuse for turning our blind eyes We fear, fear, fear, fear what we’ve done….it hardly seems that we have won We face all of the evidence with our exhausted sighs. (Chorus; fini)
4.
We always fought like brothers, though we were born to different mothers Imagined sibling rivalry — as we were each an only child Best friends didn’t touch it, like two gloves with the same fit No DNA could ever parse something that grew so wild When your name became a stone Our arguments went straight to silent As did your exhortation to shout “the river’s up, let’s go!” When your name became a stone I never felt so all alone It still feels like yesterday… but it was two full years ago Our girlfriends couldn’t stand it, that we made out like a bandit But not with them — we made out for the rivers every chance we got Whitewater called us weekly, and we gave in completely And on those runs we joined the realm of time that time forgot When your name became a stone A part of me was changed forever I might paddle again some day, it’s hard for me to say When your name became a stone My sense of who I am was blown And visits to this block of granite pulled me in it’s sway When we finally made that first descent, the waterfall clear and pounding I took it first, as we’d agreed, then eddied out to watch your drop You missed your line while at the top, and got flushed under that undercut I waited for your you to pop out, but you stayed there for a day We thought that life was long, and that we’d belong To the realm of those adventurous to push its outer edge A boater never stops to think, unless for a moment at the brink That the light will be extinguished trapped inside a hidden ledge When your name became a stone I lost my “only child” brother And more than that I lost my bearings handling navigation When your name became a stone I fought to find the ways I’d grown And that I’d be without you for the rest of the duration. When your name….became a stone.
5.
Solastalgia 04:27
Our earth —a tinderbox — on fire, as we strive We’re diving off of burning docks….just trying to survive The new normal has arrived; this is no aberration The elements have all conspired to spark this conflagration Chorus: Our melancholia is solastalgia The world we grew up with is gone Beyond mere regretful nostalgia We hear the pain in Gaia’s song The polar ice will all be gone while some of us still breathe As humans we can’t get along, letting constant anger seethe There is no place left to escape, the wind, rain, fire and flood; One lesson of this hellscape is that we all share one blood. (Chorus) Bridge: We have loved and lost a sense of place, untethered by the seasons As to the bottom we now race, with full knowledge of the reasons Our anger leaves us helpless, shipwrecked at the stable door We find that we are faithless, with less courage than before The music of the spheres still rings, perhaps it holds the key But what to make of what it brings, beyond what we can see? (Chorus) (Each day we fail to get along) (We write the ending to this song) (Oh how I wish this song was wrong)
6.
You took flight and chose to soar With the wings I never had You always found passions new I grew lonelier and sad Untethered from your worldly woes You watched me scatter and flail As you soared above your cares I prayed that you would never fail But you left me, bound and tired By the pull of gravity While I watched you, so inspired Glowing with vitality You flew away from me, using the wings I never had It was a sight to see you win in your own Olympiad It’s hard now to believe that we once shared the same launch pad You flew away from me, using the wings I never had If we could start all over again I’d be the one to set you free You’d say “let’s go” and I’d say “when?” And in a foreign land you would meet me I’d not be awed by your compassion Or by your effort to succeed I’d let you lead in your own fashion From a place of strength, not need But now we’re here, what’s done is done The backward view is crystal clear As I look up toward the sun You’re still in flight and without fear You flew away from me, using the wings I never had I’m still stuck on the runway, I was not your Galahad In matters bold I was not meant to be your true comrade You flew away from me, using the wings I never had.
7.
Amalia….Alfred Marceneiro…Mariza….Ana Moura The Lisbon evening drops its velvet curtain Alfama’s puzzle box streets invite disorientation The avenues so narrow, the delivery trucks bump you on the sidewalk Behind small tables, grandmothers sell shots of Ginja cherry liqueur. Fade away to yesterday Fade from current view The fado sounds in echoes Through the old on to the new Carlos do Carmo….Dulce Pontes….Misia….Cristina Branco The trolley cables quiver in the inky darkness The mournful ocean sighs, and tries to perfume the salted air The sound of sadness seeps through the windows of the fado supper houses You feel the loss of something….although it’s something that you never really had (Chorus) Carminho….Maria Da Fe….Carlos Ramos…..Raquel Tavares…. Lisbon, city of memory….telling its stories to the sea A silver wash of Cape Verdean blues in the night A mystic place, exhausted by shadows, holy and enchanted The languor of saudade cloaks the cobblestones as you are drawn to the sound in the next street (Chorus; fini)
8.
I only spend 75% of my time Wondering why you chose to leave me That means one time in four I’ve a moment sublime And for that moment my spirit is free Chorus: Each first step is madness The next step is sadness The third step brings teardrops Then the waltz starts again Three out of four’s not a bad rate of take If you’re hoping to pass an exam But 25% joy means that your heart will ache When the door to that heart has been slammed (Chorus) In three quarter time my love life slips on by A dance that I sadly have mastered And when I think on giving it one more try Instead I go out and get plastered. (Chorus)
9.
He enchanted us with tales o’ rashies green His lassie love unequaled to this day A red red rose lined each winding boreen Of sweet nature he would always have his say Fare thee well Rabbie, fare thee well! Though daily gang aft a-glay our plans Our auld acquaintance held closely to heart We rejoice both with strangers and our clans With bumpers high he did express his joy For honored friends, and poets of the fields A ploughman’s view since he was but a boy His language to this day its power wields Fare thee well Rabbie, fare thee well! Each Burns Night we proudly raise full glasses The greatest Scot of all we do salute Young and old, the laddies and the lasses. Bridge: His rattlin’ roarin’ ways cut short his living Aye fond kiss for each mother of his bairns A heart obsessed with taking and with giving His life was marked by joy, and not by cairns The Westlin Winds still bring the autumn nearer The banks and braes ripe under harvest moon And never was a poem of song sung dearer Than your serenade upon the bonnie doon. Fare thee well Rabbie, fare thee well! Though daily gang aft aglay our plans Our auld acquaintance held closely to heart We rejoice both with strangers and our clans
10.
Samba, samba, samba sung blue…One note samba, I’m without you Samba, samba, samba sung loud…blue note samba, drunk in the crowd One note samba, samba sung low…blue note samba, why did you go? Samba, samba, samba no more….blue note samba, hurt to my core Samba, samba, samba sung blue….One note samba, I’m without you Losing, losing….all in the game? Sleeping, weeping….both are the same Aching, breaking, heart split in two….Brooding, moping, still missing you Red light, blue night, out on the prowl….Cold and lonely after a while Hungry, starving, can’t fill me up — parched and thirsty, no loving cup Samba, samba, samba sung sad….one note samba, missing you bad Samba, samba, samba now gone….blue note samba, can’t hear my song
11.
In 1941 his happy father had a son But he found that the loneliest number was one He worked at the bank, then wrote songs through the night He waited his turn, then his talent took flight Pop, rock, and ballads, his voice sweet and clear And his songwriting made the world of magic appear The voice of an angel brought tears to the eye Then with his wax wings toward the sun he did fly Chorus: Nilsson, Schmilsson…man I miss you bad You were the best friend an honest love song ever had Nilsson, Schmilsson….your life was short and merry And when I smile in memory, it’s all for the love of Harry. Everybody was talkin’— it wasn’t just me “Without You” would prove his other Grammy to be How strange that a writer without any peers Drew his fame from two cover songs honored those years He was the American Beatle, a friend to all four And a fab time he had, drinking them to the floor With the Smothers Brothers he was Tom, Dick & Harry He was an instant party, and at each bar he would tarry. (Chorus) (then Bridge) Bridge: His talent unrivaled, he savaged it hard…he needed to be the court jester and bard The lost weekend with Lennon left his vocal chords scarred…was there ever such like treated with disregard? (Chorus) His songs made us laugh, but his voice it cut deep He could rouse you awake or rock you gently to sleep With “Me and My Arrow” he sold a cartoon Then with Gordon Jenkins he would croon “Lazy Moon” Harry at the movies, Harry on TV But the recording studio is where he wanted to be He wrote hit songs for others — the listeners had their say But one thing he would never do is for the public play (Chorus; fini)
12.
Thanks for visiting me in the Treehouse of Memory & Regret. Our forty minutes together is now a new memory for both of us. My wish for you is that all of your memories are memorable, and that your regrets all are heartfelt. May your lamentations, in their timelessness, bring you the exquisite feeling of saudade. And, I hope that your own sense of solastalgia for your changing world serves to inspire you in useful ways going forward. Speaking of which…. As far as directions go, it’s actually pretty straightforward — after you go back down this rope ladder, just go forward….forward in all directions!

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In conjunction with the "International Concept Album Month" I'm pleased to share some melancholic songs from the treehouse. There are a couple of salutes to some extraordinary artists here, along with some tales of lamentation and regret -- even a bit of saudade and solastalgia. Climb on up!

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released March 25, 2024

jimeddy: Guitars, vocals, found sounds, percussion. Cover art original design by Trần Công, studio Người Mua Vui, used by permission.

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jimeddy Ann Arbor, Michigan

I no longer trade time for money, so I'm a lucky guy. Songwriter, music collector (at a pathological level); supporter of independent artists of all stripes. Open mic enthusiast, international traveler every chance I get. Forward in All Directions!

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